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I just finished watching Woody Allen's Another Woman with Gena Rowlands. I have to say the most (the only?) interesting part was the use of Edgard Varèse's Ecuatorial to foreshadow anguish.Image via Wikipedia
I just finished watching Woody Allen's Another Woman with Gena Rowlands. I have to say the most (the only?) interesting part was the use of Edgard Varèse's Ecuatorial to foreshadow anguish.Posted at 08:52 AM in varese, edgard :: ecuatorial | Permalink | Comments (0) | TrackBack (0)
As I mostly listen to music one composer at a time these days, I usually have a reasonable idea of what I am about to hear. And then today, Ecuatorial by Edgard Varèse started blaring and that first use of the theremin gave me a jolt.
Interestingly, in this interview, Leon Theremin doesn't really remember meeting Varèse, sixty years earlier.
And speaking of memory, everytime I read the word "ecuatorial," I hear in my head Patti Smith singing the phrase "ecuatorial bliss" from the classic Beneath the Southern Cross:
oh
to owe
not anyone
nothing
to be
not here
but here
forsaking
equatorial bliss
Here's to Edgard, Leon, and Patti for making my day memorable...
unfortunately, the last.fm clip stops before reaching bliss. and, last.fm has no clips for ecuatorial. although, the similar artists to varèse station starts off with some tame schoenberg, some radical pierre schaeffer, and then an hour of la monte young's well-tuned piano.
Posted at 06:57 PM in varese, edgard :: ecuatorial | Permalink | Comments (0) | TrackBack (0)
Tags: arnold schoenberg, bliss, edgard varese, last.fm, memory, patti smith
The San Francisco Symphony season:
Posted at 11:42 AM in varese, edgard :: ecuatorial | Permalink | Comments (0) | TrackBack (0)