Image by jimpg2 via FlickrThe local eight-year-old upon hearing Carl Stone's Woo Lae Oak asks:
Well, I admit it is long, repetitive, and simple, but yes, that's the song.
From my previous post on the work:
Image by jimpg2 via FlickrThe local eight-year-old upon hearing Carl Stone's Woo Lae Oak asks:
Well, I admit it is long, repetitive, and simple, but yes, that's the song.
From my previous post on the work:
Posted at 10:09 PM in stone, carl | Permalink | Comments (0) | TrackBack (0)
After work last night, I drove from San Jose to Berkeley...
Woo Lae Oak is a continuous electronic work crafted out of loops of the sound of a rubbed string and a bottle played by blowing air over the top.
Posted at 07:32 PM in stone, carl | Permalink | Comments (0) | TrackBack (0)
Songza is "the music search engine & jukebox" and appears to use YouTube as a source. Here is the Songza widget for playing Carl Stone's sound. at the Schindler House:
Given that YouTube has such a rich collection of music, maybe this service on top of it will be useful...
Posted at 08:23 PM in stone, carl | Permalink | Comments (0) | TrackBack (0)
Now that I live in the abstract world of MP3 music, I'm not always sure about what I'm listening to. But apparently I purchased and ripped what must be a new album from Carl Stone titled "Al-Noor."
At first listen, the tracks are more disparate than expected. But Jitlada's voices and beat are instantly infectious. And it would appear that Jitlada is named after a Thai restaurant in LA.
Taking the minimalism of say Reich and Glass into the world of computers, these four 'songs' (lasting anywhere between nine and twenty-four minutes) are all shifting phases and time measures and create a hypnotic feel.
Fresh turmeric, sator beans, frogs legs with santol fruit, young tamarind shoots and palm vinegar are just a few of the rare ingredients that go into Southern Thai cuisine, which is full of fragrant curries, fresh herbs and unusual vegetables.
Posted at 09:12 PM in stone, carl | Permalink | Comments (0) | TrackBack (0)
Tags: beat, infection, la thai food
Neomarxisme blogs about the Kamiya Bar in Japan, providing me with the opportunity to quote Kyle Gann on Carl Stone's work of the same name:
a sensuous seven-movement tapestry of the environmental sounds of Tokyo
carl stone site: kamiya bar. frommer's: kamiya bar review
Posted at 08:14 PM in stone, carl | Permalink | Comments (0) | TrackBack (0)
Tags: carl stone, japan, kyle gann, travel
Posted at 10:00 AM in stone, carl | Permalink | Comments (0) | TrackBack (0)
Tags: carl stone, film music, seventies, wfmu
The new home computer is here (thanks, dell outlet). "h" in the series is named after Lou Harrison. "f", an Hp model, was named after Carly Fiorina* but the less said the better.
Still, "f" possesses 13,177 legacy tracks (4423 aworks-related). As one's iTunes library grows unwieldy, one becomes cautious about moving said library. So, before making the migration, said owner will forego said Apple product for awhile and see what happens...
And what happens is Kyle Gann playing Carl Stone's Nyata on PostClassical Radio via ad-overdosed live365. Fortunately, Nyata is fifty-two minutes of interesting music between ads. (last.fm was first but the selected Messiaen stream was silent, for unspoken reasons).
Moving on to the textual world, this blogger is not a hardware guy (nor gal for that matter). But the new system does come with a "show interesting blogs" key. (Probably implememented with new-fangled FPGA accelerators). First up was:
For a minute, let us simplify the pleasures of a cultural item into three categories: experiential pleasure (how much you enjoy experiencing the work itself), social interaction (how much you enjoy talking about the work with other people), and social distinction (how much you enjoy the fact that you know the work when other people do not).
And speaking of bloggers, technology, etc., next on Gann's radio station was the gentle flute composition of blogger Lawrence Dillon ("Devotion"). For the record, said programmer Gann knows infintely more aworks than probably anyone.
Then, after FolderShare was installed, the work computer ("g") has delivered Osvaldo Golijov's La Pasión Según San Marcos. What does one call "peer-to-peer" when one is on both sides of the equation?
Finally, Carly "f" Fiorina, we're gonna miss ya...
* technically, said computer was named after a major league soccer team ("chicago fire"). But, the #$%^&*() league/owners/cartel/traitors moved the beloved san jose team to texas some godforsaken state (notwithstanding the austin record convention, some in-laws, and hucbald). therefore, american divison 1 soccer is no longer acknowledged on this blog. <general mls hostility redacted>. still, in the spirit of getting along, this blog acknowledges love for la's #1 record store since it constitutes "experiential pleasure, social interaction, social distinction," and is a bay area import...
Posted at 10:48 PM in stone, carl | Permalink | Comments (0) | TrackBack (0)
I see that composer Carl Stone has been listening to John Coltrane's A Love Supreme as played by Carlos Santana and John McLaughlin as well as music by Dumisami Muraire, Mykal Rouse, Henry Brant, Glenn Gould and others. I'm always interested in what people actually listen to. In this case, not surprisingly, it's a diverse list.
gable: aworks coltrane stone consciousness revolution era coltrane: del.icio.us wikipedia google news yahoo audio singingfish stone: wikipedia
Posted at 02:39 PM in coltrane, john :: a love supreme, stone, carl, ~1946-1964 era :: american high | Permalink | Comments (2) | TrackBack (0)
Ben from Boston recommends the contemporary classical station on live365. So far, it's a little conservative for my taste -- Stravinsky and Englund. Let's see what else shows up.
While we wait, classical recording labels are complaining about the BBC's Beethoven downloads:
This week the BBC will announce there have been more than a million downloads of the symphonies during the month-long scheme. But the initiative has infuriated the bosses of leading classical record companies who argue the offer undermines the value of music and that any further offers would be unfair competition.
While clearly this is competition, explain to me again why it "undermines the value of music." I scan, more or less, every blog with the phrase "classical music" and I saw more interest in the BBC Beethoven downloads than any other specific classical music topic since I started, usually from bloggers who were apparently not devotees of classical music. The article goes on to quote someone from Naxos who says:
You are also leading the public to think that it is fine to download and own these files for nothing.
Oh, I see. Even though the Naxos business model torpedoes "premium" classical labels, when something threatens Naxos, it is unacceptable.
Back to Live365, the stream now reports:
Lack of reliable streaming is why 80% of my listening is via MP3s on my iPod. Presumably, all those Beethovem downloaders also see value in the convenience of having their own copies of the music.Broadcast unavailable. "#1312526" is not broadcasting on our system at the moment. Please try again later.
BBC as innovators. Hmm...Lots of extremely interesting questions continue to be raised by the success of our trials - from distribution to commercial policy, from music strategies to on-demand radio, from marketing to navigation and so on - and we're feeding a lot of the learning and creative ideas right into the heart of the various bits of strategic and tactical BBC work going on at the moment.
"Unheard Beethoven" MIDI files here. Carl Stone's MP3 page here. Autechre official streams here.
Posted at 07:18 PM in stone, carl | Permalink | Comments (1) | TrackBack (0)
Today, I have been listening to the music of electronic composer Carl Stone. Chao Nue is a current favorite that I recommend. I recently downloaded .bitÅ (MP3) but unlike Stone's classical deconstructions/reconstructions, this one is really "out there." A short track with intermittent electronic tones of various frequencies and timbre, it is either completely abstract or else it represents the aquatic and insect life of a pond (in the manner of Brian Eno's Ambient 4: On Land). Stone collaborated with Tetse Inouye, a noted ambient experimental musician.
Postscript: This post gives me an opportunity to indulge my new-found interest in character sets and relate it the Alex Ross request for a "blögôsphère" response to names for hipper-than-thou classical ensembles. Not necessarily hip, my list of possible ensemble names aims to get pop fans to respond to art music. So here goes:
Carl and the Family Stone
The Al Hovhaness Experience
Life of Riley
The Allemande Brothers Band
Franz Ferdinand Schubert
Joan Tower of Power
The Adams Family of God
The Amy Beach Boys
Keb' Mo' Feldman
Lied Zeppelin
and my favorite: Crosby, Stills, Nash, and La Monte Young. (Hey, it could happen).
Apologies to all.
By the way, I suspect at least a few Led Zeppelin fans made the transition to reggae via Dread Zeppelin. And here's a Family of God MP3.
Posted at 02:04 PM in stone, carl, ~1984-200? era :: culture wars | Permalink | Comments (0) | TrackBack (0)