american classical:
- Meredith Monk - Urban March (Shadow); Tower; Railroad (Travel Song). Bruce Brubaker, Ursula Oppens - Monk: Piano Songs []
« October 2014 | Main | December 2014 »
american classical:
Posted at 05:54 PM in aworks :: favorites | Permalink | Comments (0) | TrackBack (0)
american classical:
beyond:
Posted at 10:00 AM in aworks :: favorites | Permalink | Comments (0) | TrackBack (0)
american classical:
beyond:
links:
Posted at 12:21 PM in ashley, robert, aworks :: favorites | Permalink | Comments (0) | TrackBack (0)
American classical:
Beyond:
Posted at 09:13 PM in aworks :: favorites | Permalink | Comments (0) | TrackBack (0)
American classical:
Beyond:
Links:
Posted at 08:48 PM in aworks :: favorites | Permalink | Comments (0) | TrackBack (0)
American classical:
Beyond:
Posted at 09:53 PM in aworks :: favorites | Permalink | Comments (0) | TrackBack (0)
American classical
John Cage - The Unavailable Memory of
Philipp Vandré. Vol. 37: Complete Short Works For Prepared Piano [Mode]
Simple but exceptionally timbral.
Beyond
Links
Posted at 09:19 PM in aworks :: favorites | Permalink | Comments (0) | TrackBack (0)
the Strad on music played by Marco Simonacci:
...his superb control of sound comes into its own: in a finely nuanced Two Instruments for cello and horn, it’s sometimes hard to tell the players apart
And Raymond Tuttle's observation:
I admit that the combination of cello and horn in former work is interesting in and of itself.
Posted at 07:27 PM in aworks :: favorites, feldman, morton | Permalink | Comments (0) | TrackBack (0)
Posted at 08:33 PM in aworks :: listening log | Permalink | Comments (0) | TrackBack (0)
yMusic's new recording, Balance Problems, includes this:
Closing the album is a piece composed by Michigan native Sufjan Stevens. "The Human Plague" acts as a trippy reflection of the album's ambitious vision.
I'm not sure the significance of the title but the work is a rhythmic, minimalist pleasure.
A calming coda, Sufjan Stevens’ “The Human Plague” succeeds in finally putting all of the players’ instruments, heretofore restlessly bouncing off one another, in sync, via a gated effect across the entire track.
Posted at 03:24 PM | Permalink | Comments (0) | TrackBack (0)