This is interesting -- new pieces composed for the same piano setup as John Cage's Sonatas and Interludes. This is one of Cage's most recorded works but I don't particularly like the music. But I do like prepared piano so the idea of reusing the preparation makes sense.
The Cornelus Dufallo solo violin album is electronically rich enough that it doesn't sound like just a solo violin album...I've never been one for music videos but Leslie Flanagan's Glacier is enhanced by watching her perform this esoteric music.
Until Next Time (2010). Kenji Bunch - Cornelius Dufallo. Innova
Glacier (2010). Leslie Flanagan. Vimeo via The Glass
Greg Sandow figures out Matt Haimovitz and Christopher O'RIley are playing music from Bernard Herrmann's Vertigo:
Clearly 20th century, I thought. A composer with a lot of cello/piano chops, someone who’s an expert at writing for those instruments, separately and together. And who’s also full of drama. And has imagination. Style a little hard to place. Post-1945, I thought. But who? Couldn’t think of anyone who sounded quite like this. I don’t claim to have exhaustive knowledge of the repertoire, but really, I thought, if someone was this good, wouldn’t I at least have some small clue?
As much as a Herrmann fan as I am, this isn't even the best track on the album. Their version of Radiohead's Pyramid Song, with its combination of cello and piano, is as moving if not more so than the original.
Classical Iconoclast says the Paris production of Nixon in China is both meaningful and beautiful. I suggest the recent San Francisco version was neither (although still vivid and engaging):
Chen Shi-zheng's production gets to the soul of the opera. No silly reproductions of newspaper photos, instead a set as stylized as the interaction between the two sets of politicans. They are playing a kind of psychological chess, sizing each other up in a formal game of greetings and entertainments.
Sellars steered well clear of meaning by focussing on decor. For Chen, meaning is the whole purpose. The set is simple, but exquisitely beautiful.
The Proms has John Adams conducting Nixon in China "semi-staged." I don't really know what that means but I assume it means singing and orchestra but not the good/bad multimedia special effects that we just saw in San Francisco. It was certainly a vivid production, even if sometimes disorienting and buggy.
Streaming music skeptics complain that Led Zeppelin or their favorite obscure recording by whomever isn't available so they will stick with the music ownership model, thank you very much.
Me, I have a different complaint with rdio. My current inbox of albums I've queued up for listening now counts 48. This is in addition to my current tracks on repeat, let alone my numerous MP3s that I, um, own.
Not much directed listening. Instead, I'm arguably wasting my time listening to two old Tangerine Dream albums on rdio I had never heard (and probably don't care to listen to again).
A Summerfield Set. Lou Harrison - Dennis Russell Davies. (Musical Heritage Society)
And the Archytan Transpositions. Warren Burt - Warren Burt. (XI Records)