Except for the electric guitar, Film Music Magazine finds the soundtrack for The Twilight Saga: New Moon similar to something by Bernard Herrmann:
NEW MOON’s antecedent seems as much Bernard Herrmann’s JANE EYRE as it does more darkly romantic Jarre stuff like THE COLLECTOR. Two beautifully moody themes are heard in just about every other cue, and they’re melodies that never get tired as they flits from subtle pianos and strings to a full, stormy orchestra.
Mark Swed doesn't have much good to say about the most recent production and recording of Nixon in China, at least compared to the original by director Peter Sellars:
...watching a cutesy, ham-fisted attempt at literalism from a fanciful opera proved hardly revelatory when I saw this production five years ago in St. Louis.
Fortunately, Carpenter’s self-serving rewriting of history isn’t likely to have much effect. Sellars' production is, after 22 years, still with us. Crowds flocked to it, and critics celebrated it, when staged in London a couple of seasons ago. And long last, the Met will mount Sellars' production next season, with Adams on the podium.
Listening to Monk (and some Mozart piano works) today. Bemsha Swing is my favorite melody right now...Anthony Brown's Asian American Orchestra plays Brilliant Corners...Crepuscule is a version by the son, T.S. Monk...Well, You Needn't is played by Kenny Barron but doesn't come close to the version with Monk and Coltrane...Bright Mississippi is played by Danilo Perez...Criss-Cross is a bizarre electric guitar cover version by Shockabilly...Work is on a Monk album by the Bay Area's Scott Amendola...Not a fan of 'Round Midnight...Just now, the local nine-year-old was looking at sheet music for the National Anthem and asked to hear a version; I went military traditional rather than use versions by Hendrix, Kiss, Ted Nugent, etc although I see there is a version by Duke Ellington as well...
'“Kepler” is his most chromatic, complex, psychological score...“Kepler” is a wise, major opera.' (Mark Swed/LA Times)
"It's fantastically self-referential. By that I mean that there are familiar gestures in the music, but by and large the piece itself is a look back toward more abstract concepts of what an opera is." (Richard Guerin/Glass Notes)
'As an opera, it is exceedingly nondramatic. But as an oratorio, it works brilliantly...But “Kepler” offers quite a few novel touches as well, including a
colorful use of pitched percussion instruments and hollow blocks, often
paired with rumbling bass lines.' (Allan Kozinn/NY Times)
"Rather than filling the stage with a dramatic narrative of love or war, the performance filled the stage with dramatic music and the drama of intellectual quest." (ProfB/To the Work)
"It is a wonderful story, sung in German, with beautiful music and visuals." (Jim/Jim and Anne's Blog)
"As for the opera itself, charmingly enough the texts were in German and Latin, especially adorable was when Kepler sang about the polyhedral models of the orbits of various planets." (Charlise Tiee/Opera Tattler)
"For two hours they intone passages about orbits, stars, faith, and the horrors humankind brings upon itself. All of it was quite lovely and it could be stirring at times, but honestly, it was rather difficult to get much of a hold on any of it without a little more narrative meat." (Brian/OutWestArts)
"A sense of dark, bass-heavy doom pervaded the work, and at one point,
it built and grew increasingly agitated as though it were a machine
overheating...Perhaps if there had been something going on visually, Glass’ unending
oscillations would have seemed more of a driving force to action than
they did." (Ronni Reich/NJ Star-Ledger)
Amazon has announced the upcoming release of The Complete Columbia Album Collection -- 70 CDs and 1 DVD representing the entire Columbia Records catalog of Miles Davis for $293.49.
This evening, I happen to have been listening to pre-Columbian Miles but this announcement gets my attention. But when lala has 273 Miles albums available for free streaming, it seems rather indulgent.
Beck has his tribute to Harry Partch up on his website. Even better, he has some streams of music by Harry Partch. I think this is great but maybe it's just a California thing...
Lyrics:
making up your orchestra out of the debris of the evening fishing out from the gutter all your gold and grey graffiti
And stereogum describes the track:
It sounds like a demented mashup revue of the last century's popular,
classical and avant garde music forms, with a little outer space thrown
in for good measure.
What is a timed comment and how is it different to a regular comment?
When you’re checking out a song on SoundCloud, you’ll have a visual
representation of the music (a waveform). By placing a comment directly
on the waveform, it allows you to say something about the structure of
the track. Let’s say you like the track that’s playing, but you feel
the extra rhodes lick that kicks in 2’33 is out of tune. You can then
place a comment on that moment that reads something like : « the song
is great, but that rhodes is way out of tune !
On first listen, the eight double basses of Stronghold stunned me...Henry Flynt is a philosopher and avant-garde musician... Town with No Cheer is the cover version by actress Scarlett Johansson. I honestly like this; on the other hand, her version of I Wish I Was in New Orleans is bizarre...I listened to almost no Thelonious Monk today.
On yet another trip to the San Francisco Palace of Recorded Arts, it occurred to me I buy lots of music and listen to lots of it. But most turns out to be ephemeral, uninteresting, unworthy of repeated listening, not really new etc. So now I'm going to see what happens when I log the music that really captures my attention:
These Are My Twisted Words (2009). Radiohead
The Little Match Girl Passion (2007). David Lang
Utterance (2006-07). Yiheng Yvonne Wu
My Very Empty Mouth (1999). David Lang
Little Eye (1999). David Lang
The Anvil Chorus (1991). David Lang
The Cat (1964). Jimmy Smith
Bemsha Swing (1952). Thelonious Monk
In a Landscape (1948). John Cage
Epistrophy (1941). Thelonious Monk
These Are My Twisted Words is a new (and free) download... Utterance is a mildly harsh yet satisfying piece for string quartet from an intriguing new CD, New Music from San Diego...David Lang's music is often unattractive on the surface but profoundly visceral the more I listen. Of course, The Little Match Girl Passion won the Pulitzer and has a December performance in SF...This YouTube of The Anvil Chorus by Ty Forquer rocks... The Cat nicely combines organ and big band....Ironically, In a Landscape is an ambient work that rewards without requiring close attention...I listened to 17 versions of Epistrophy the other day. I'm convinced Monk is half painstaking craftsman and half genius. And my favorite cover version is the one where Archie Shepp nonchalantly blows through the changes...
#100 from that list, a 2009 recording. Yawn. (lala)
Chamber Music American to honor Chick Corea (NewMusicBox)
Chick Corea's entry on the top 100 jazz list. (lala)
Alvin Lucier says he wasn't good enough to play jazz so he studied classical instead. It occurs to me his music may be as far away as you can get from frenetic jazz improvisation. (Weslyan Argus via Avant Music News)
Henry Cowell/Open Minds coverage in the Wall Street Journal. Unfortunately, I wasn't able to attend either concert this week. (Brett Campbell/WSJ).
"Visual Acoustics: The Modernism of Julius Shulman is, we hear, a sumptuous documentary about the accomplished Californian architectural photographer who captured the work of nearly every modern and progressive architect since the 1930s including Frank Lloyd Wright, Richard Neutra, John Lautner and Frank Gehry." (BerkeleySide)