I felt obliged to attend tonight's Alarm Will Sound concert at Stanford given it was close to home, featured favorites like Ligeti and Aphex Twin, had a premiere of a John Adams piece that was a sequel to his Chamber Concerto that I saw in the North American premiere in 1992, was a follow-up to last year's lively AWS concert at UC Berkeley, and had two instances of my current interest in Nancarrow player piano transciptions. So I did.
And in a nice gesture, the University illuminated Hoover Tower in crimson red in honor of their guest and Harvard graduate John Adams. Ok, maybe that wasn't their intent, given tomorrow is the Big Game versus Cal. (As football rivalries go, not that exciting. It's like watching Goldman Sachs take on Morgan Stanley, except less physical and more wacky).
Wacky versus substantive was the overall theme for the night. Alarm Will Sound, noted for their unconventional and hip performances, got things off to a rollicking start with the transcription of Nancarrow's Study No. 2a, a simple blues riff transformed into rhythmic complexity. AWS pushed this even further by walking around the stage while they played, kneeling, lying prone etc. It was entertaining and the music was presented in an accessible way. But is it really legitimate and worthy? I need to think about this...