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6 posts categorized "copland, aaron :: fanfare for the common man"

Fanfare for the Common Man (1942). Aaron Copland

Quote without comment:

SACRAMENTO, Calif. - Arnold Schwarzenegger took the oath of office for his second term as governor Friday - and implored Californians and the nation to join him in an era of "post-partisanship," a time when bold ideas will trump party labels.

Appearing in public for the first time since fracturing his right thigh bone in a ski mishap before Christmas, the Prada-clad 38th governor entered Sacramento's ornate Memorial Auditorium to the soaring notes of Aaron Copland's "Fanfare for the Common Man." Schwarzenegger, a former actor and bodybuilding champion, walked with the help of metal crutches and appeared thinner than usual.

Fanfare for the Common Man (1942). Aaron Copland /keeping score/

Steve Hicken points out Keeping Score, a PBS/San Francisco Symphony production:

Explore how three composers changed music forever, transforming their personal visions of the world around them into sounds unlike any heard before.

Clicking on "visit the Eroica web site" pops up a window where you can follow the score as the music plays. The window has quite a bit to assimilate but I might pay more attention for the Aaron Copland episode. I did like the "show key" and "show theme" features although I wish the entire movement played instead of just fragments.

Oh, and everyone's favorite Bay Area classical radio announcer, Diane Nicolini, does the preview voice-overs.

Fanfare for the Common Man (1942). Aaron Copland /whrb orgies/

Via vilaine fille again this year, WHRB has many interesting orgies this month, kicking it all off with Copland's Fanfare for the Common Man as part of the War Horses orgy today as well as the Paul Sacher orgy and "12 Blues Songs in 12 Hours" coming up on Thursday, the Dave Holland orgy on Sunday, the Wes Montgomery orgy on Friday, May 19th, the Dexter Gordon orgy on Sunday, May 21st thru Tuesday, May 23rd (!), the Harold Shapero orgy on Friday, May 26th, and finally the Britten/Pears orgy on Wednesday, May 31st.

I heard most if not all of Varèse's musical orgy last year. And I like musical orgies as much as the next guy but I think I'll skip the ten or so days of the complete Mozart.

This is also my chance to mention that Humphrey Carpenter's Britten biography reported that the composer Benjamin Britten and the singer Peter Pears consummated their relationship in good ol' Grand Rapids, Michigan of all places.

The music of Keith Fullerton Whitman is currently streaming all night:

Several of his recent albums were even recorded on Harvard’s own collection of analog synthesizers; Whitman was allowed access while teaching an electronic music composition class here.

Keith Fullerton Whitman on Napster

Fanfare for the Common Man (1942). Aaron Copland /cleveland browns/

Glad You Asked: The Cleveland Browns used to play Fanfare for the Common Man during their football pre-game but now they play Thunderstruck by AC/DC.

thunderstruck live mp3 (sheesh, it's not even a good ac/dc song. is this all carmen policy's fault?)

Fanfare for the Common Man (1942). Aaron Copland /hurricane katrina/

My blogging has ground to a halt as I try to get a handle on Hurricane Katrina and its physical, social, emotional and economic impact. But mainly, as the week progresses, I've struggled to come to terms with how little we have been able to help.

When I think back to the Loma Prieta earthquake of 1989, although having only minor impact to most people in the Bay Area, I found it disorienting at the time, albeit only temporary.  I can't imagine living with the consequences of chaos for an entire week, as in the current situation. It was either Kevin Kelly or Stewart Brand who wrote of the insight gleaned from civic duty in the Marina District in SF during the quake but as I remember, the advice was that in an emergency, you can't wait for authorities and so people needed to self-organize to take initial action. However, that was difficult since suitable tools were not available.  Again, the situation in the South must be 100 times worse.

With 9/11, my experience was mostly via television and the Internet. As I got off the train at the San Jose station, I noticed law enforcement which I thought odd. Then, I went to the office, began to read email, and was puzzled by a message from an engineer that because of the attacks, the bridges were closed and he wasn't coming in to work that day. What attacks? Via the Internet, I discovered what was happening but it was only watching the first tower collapse that I had a feeling of shock. I don't think I've ever been more astounded than the morning of 9/11 and it still feels unreal. We are of course still playing out the results from that day, for better and worse. While I don't have the same visceral sense of the hurricane and its aftermath, it seemed ominous for those unlucky enough to get caught in the disaster.

The previous two  paragraphs strike me as a bit self-indulgent, given what is still happening on the Gulf Coast. That may also be why I haven't blogged this week. But, as a way to keep in mind the victims of the hurricane and their current peril, I propose to contribute $10 to the American Red Cross for every blog post I write this weekend as well as $1 to the Salvation Army for every del.icio.us link I create.  Godspeed to all those in urgent need of help.


From the WWNorton website on Fanfare for the Common Man:

This may be Copland's most recognizable work. The simplicity of the opening idea, and the spare grandeur of the harmonized statement that follows suggest the ideal of the worth and dignity of the common person.

gable: aworks great depression/world war ii era copland: aworks del.icio.us wikipedia google news yahoo audio singingfish fanfare for the common man: mp3 amazon sales rank #7,265

american red cross salvation army a school yard blog re: the american red cross

Fanfare for the Common Man (1942). Aaron Copland

 
 
Christopher Chase offers up some history on the seventies rock group Styx and their big hit Come Sail Away.  He also notes:

Styx was well known for appropriating and transforming song forms, and rewriting the Sea Shanty with nostalgic regrets, culminating in a UFO abduction was perfectly in line for a band who had already invented the Power Ballad ("Lady") and then reinvented it as a prog-rock approach towards a critical examination of American nationalism ("Suite Madame Blue") or reread Aaron Copland ("Fanfare for the Common Man") and melded it with spoken word New Deal economics ("Street Collage").

Not to date myself but I remember when Lady was a breakout hit on WLS in Chicago.  I'll also admit to seeing Emerson, Lake & Palmer play Fanfare for the Common Man in concert.