aworks :: "new" american classical music

…similarities between diverse things (2002). joby talbot /or is it differences among common things?/

I continue my introspection on sometimes profound, sometimes arbitrary boundaries currently in play, both politically and musically.

On the presidential/generational side, it's becoming harder to maintain my preconceived notion of friend or foe. Tonight, I felt sympathy for Fox pollster Frank Luntz of all people as young Ron Paul supporters take him to task, after they infiltrated one of his focus groups. Their argument is that an Internet site is not media. And yet I found myself heartily agreeing with Glenn Greenwald as he questions the role political reporters play even as he praises fromer Wonkette blogger Ana Marie Cox for her substantive questioning of John McCain.

And is it a good thing or a bad thing Hillary Clinton showed some emotion?

Expanding on my prior post's musical/generational theme, I'm still sorting out my my continued preoccupation with the music of an older generation e.g. Glass/Reich, rather than my generation e.g. John Adams/Evan Zyporyn or even younger generations e.g. Corey Dargel/Nico Muhly. What's next for me, a sudden hankering to listen to Stravinsky? Bear with me as I sort through what "new" really means.

And although parallels with the art community can be wobbly, I liked this post on contemporary versus old masters art:

So my feeling is that demand for Old Masters (or "old brown paintings," as they're derisively known) has entered a long-term secular decline, which is masked by the fact that prices have been rising. You'd probably be better off with violins.

Even a short MetaFilter question today with Shostakovich's Quartet No. 4 as the answer had this to say:

Interesting that a piece written in 1949 sounds "contemporary"!

Finally, the iPod today hindered seeking more generationally-relevant music as it served up the distinguished sounds of Andrew Imbrie, Aaron Copland, and Lou Harrison. But then, it's Joby Talbot's …similarities between diverse things, a mixture of conventional strings and vibraphone from the appropriately-named album The Dying Swan Music For 1 To 7 Players.

Wait, even here, although the composer is younger than those elders, he happens to be British, not American. I feel my nicely ordered world in a state of flux.

Subterranean Homesick Blues (1965). Bob Dylan /the young dylan foreshadows blogging.../

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See the full fake video on my new and sparse Facebook profile, assuming you or I figure out how to grant permission to view it.

beyond aworks :: the song remains the same (1976). led zeppelin /it's different, somehow/

Trying out a new feature of the Netflix DVD service -- watching movies from the computer. For every dollar you pay in your monthly subscription, you get an hour of movies streamed to your computer:

1. First catch: it requires Internet Explorer rather than Firefox, presumably for Windows Media Player.
2. I try to watch Ballet Russes but I get error number 6.
3. I restart the browser and this time, select Led Zeppelin's The Song Remains the Same.
4. I've listened to every Zeppelin album through the years but have never seen the group. I missed their tour when they came to Indianapolis in the late seventies and never saw them on television or in film. So finally...
5. I'm disappointed so far. The music doesn't have the tightness and grandeur I was expecting and visually, all that long hair, Robert Plant's bare hips, and the fog machine don't appeal.
6. Just as when I watched Woodstock thirty years later, the crowd looks so young and innocent. You don't know how good you have it, people!
7. John Bonham on drums sounds great. Let's see: Plant and Page continue to record; whatever happened to Bonham? Oh yeah, he died.
8. Next, it's No Quarter with that electric piano interlude by John Paul Jones. Now he's playing an pipe organ. Madison Square Garden has a pipe organ? Wait, it's a fantasy sequence.
9. Time out to eat dinner.
10. The movie comes back without a hitch even though I suspended the computer. To Netflix' credit, other than that initial glitch, it's worked flawlessly.
    
11. It's the obligatory back stage argument part of the film.
12. Do I still have my Houses of the Holy lp?
13. From the closing credits: Off Stage sequences were not filmed at Madison Square Garden, nor are they dramatizations of actual incidents which occurred at Madison Square Garden.
14. Rock on...

young hi fi dot com: turntables 101

beyond aworks :: and now, an opposing point of view

The old is good not just because it's past,
nor is the new supreme because we live with it,
and never yet a man felt greater joy
than he could bear or truly comprehend.
Your task it is, amid confusion, rush, and noise
to grasp the lasting, calm, and meaningful,
and finding it anew, to hold and treasure it.

-- Paul Hindemith

Actually, my task is to find the "lasting, calm, and meaningful" in the promises of the "new". And then blog about it...

Sleep, Eat Food, Have Visions (2004). Kieran Hebden

Kyle Gann, always knowledgeable and sometimes cranky, writes a post drawing on both attributes regarding the often negative effects of musical education on aspiring composers. In it, he also makes this provocative comment about a certain class of contemporary composers:

Most of all, there is no buzz about the kleinmeisters among younger composers. Harbison, Chen Yi, Penderecki, Higdon, Zwilich, Sierra, Paulus, get to command vast musical resources, but no young composers heatedly argue the merits of their pieces. Their names don't come up in internet discussions. No one acts as though they hold any key to the future. After all, these composers write in styles in which far more vivid music had already been written decades ago.

I was worried he was going to name another composer who is a favorite of mine and arguably a member of that set but he didn't so I won't comment.

But I have a tangential and more personal topic I have been pondering. How much musical education is required to write "classical music" and the corollary, how come I really only blog about music by composers with graduate school-rigorous musical educations (Cage, Feldman, Coltrane etc. notwithstanding)? For example, I am rather enamored about Keith Fullerton Whitman who I have and will comment on more in the future but I'm equally fascinated with Kieran Hebden of Four Tet fame whom I barely mention. Is there some qualitative difference between the two with respect my modest assessment of the the durability of their music? I think so but I can't begin to articulate a rationale.

Real-life being messy, these examples don't actually hold up as Hebden is British and Whitman's education is apparently as an undergrad at the Berklee School of Music. But the general contrast stands.

I will say life is somewhat simpler as a listener than even a blogger. I can hear and naturally appreciate whatever I want without necessarkly having to delineate, formalize, and expound my artistic experiences and beliefs. I can't really imagine what such intellectualization is like for the performer, scholar, composer, writer, etc. although Musical Perceptions blogs about technical versus emotional tradeoffs here. And when jazz musician Rahsaan Roland Kirk was seen standing next to a bus listening to the overtones of the engine, was he in the moment or was this an act of aesthetic rigor? Would John Cage say those are inseparable?

if:book: blogging restructures consciousness
theatre of found sounds: Perhaps the primary response to listening should not be speech.
steven rubio's online life: an incoherent attempt at an anti-manifesto of criticism
sandow: This makes me think that the era of classical music is going to end

beyond aworks :: String Quartet No. 15 in A minor ("Heiliger Dankgesang), Op. 132 (1825). Ludwig Van Beethoven

Closest book. Page 123. Sentences 5, 6, and 7:

There is nothing innovative in the form here, Beethoven apparently content to suggest that a return to routine can bring sufficient rewards for his purposes, as it may symbolize that a return to health can make one appreciate the simple things in life. Here the mood is joyous throughout and full of color and sunshine. The composer clearly conveys that the crisis is behind him, that the music does not celebrate triumph here, but rather expresses joy and thankfulness.

Robert Cummings in All Music Guide to Classical Music.

The second closest book ("American Composers on American Music") resulted in a section by Henry Cowell on how modernists like Charles Seeger are also interested in very old music. The third book relates Henry Cowell finally feeling comfortable enough in his letters to use "Dear Charlie" (and "Love, Henry") rather than the formal "Dear Mr. Ives." But the first quote will be true soon enough so let's go with that one.

various robert cummings: writer/reviewer actor rock star freak sun ra bass clarinetist

beyond aworks :: promotion has expired, nothing to see here, move on

While traveling for the holidays, we had an unplanned car rental and similar to a prior trip, I didn't bring adequate CDs and the car had no input jack for my portable player. So, a quick visit to the local Target got me the latest Beck CD and Stan Getz's Finest Hour. (The latter is better than the former.) It took the Tower clerk about five minutes to figure out how to charge me for the Getz as it never showed up when scanned.

To further annoy me, the Beck CD included a coupon for a free "exclusive" Beck download. Unfortunately, when I try to use that coupon, I get a "promotion has expired" message. The mass record/retail industry continue to make the music buying experience ever more unpleasant.

Fortunately, there are other promising outlets even though Tower Records is no more. I think emusic, the new CounterStream radio, and hopefully the future Mountain View Rasputin store will all compensate.

And I'm still ripping and listening to all the Tower bounty from the last month of sales. Right now, despite the avocado on the cover, it's the Arditti Quartet playing some very serious music by contemporary Mexican composers. And up next, a Giacinto Scelsi new release by pianist Aki Takahashi. Both happen to be on the Mode label.

I've also started ordering CDs from my lala want list, all at supposedly wholesale prices (plus shipping):

                                                                       

Ordered Items	Price	Quantity	Subtotal
Reich - Remixed 2006 by Alex Smoke, Ruoho Ruotsi, Steve Reich, Steve Reich, Four Tet	$    6.82	1	$    6.82
Greetings From Michigan by Sufjan Stevens	$    8.79	1	$    8.79
Ys by Joanna Newsom	$    9.99	1	$    9.99

dj alchemi: Quantity not quality: a year's worth of CDs and where they came from
renewable music: A Year Without Recordings

beyond aworks :: customized google search

Here's a first attempt at an aworks-related Google Search capability, loaded with 109 music blogs etc.:

 

     

beyond aworks :: feeds of the month /neo-americanism et al/

When one subscribes to too many blogs and feeds and seldom unsubscribes, one learns to ruthlessly organize. As a by-product of that organization, here are this month's top feeds.

Music

1. Red Black Window. Composer/professor Roger Bourland's tastes (and lifestyle) are somewhat different than mine but anyone with a "GRIFFES" license plate deserves to be read.
2. PostClassic. Kyle Gann knows too much about American classical music, classical music, "downtown music", portable disk drives as music archives etc. I think he's also a native Texan but he maintains our intellectual interest, nonetheless.
3. The Standing Room. Not as much about parking lately but still interesting and fun.
4. Renewable Music.  His music landmarks list is diverse and well-articulated as is his blog in general.
5. Theatre of Found Sounds. Another sophisticated take on musical truth.
6. Coolfer. Record industry news and links. I wish my industry had such an exceptional blog. Hmm.
7. Kinderkuchen for the FBI. I share almost none of her operatic interests but I'll defend to the death her right to blog about it. Ok, maybe not to the death, but still...
8. NewMusicBox. Feed here.
9. Playbill Arts. Feed here.
10. Sequenza21 news. Feed here.

Real American Life (or is it neo-American life?)

1. Whiskey Bar. Billmon turned off the comments and then basically quit posting altogether. But he's back and powerful although his mordant humor sometimes annoys.
2. reddit.com: what's new online. I try every feed aggregator around and this month, reddit was best.
3. Ask Metafilter. Sometimes mundane but always at least one question of merit. And it's surprising how important the mundane is, or whatever.
4. Daily Kos. Neo-American political view. The feed is better so you can avoid the idiots often found in the message boards.
5. Bopnews. My best source for the interesection of the economic and political. Stirling Newberry is a composer, to boot.
6. Talking Points Memo. Too "inside Washington" sometimes but was way ahead of the Social Security story last year.
7. Metafilter. The linking brother of Ask Metafilter.
8. The News Blog. Informed if sometimes raucous political commentary.
9. Once Upon a Time. I may hope that Arthur Silber is wrong but his neo-American geopolitical insight may be avant-garde and ultimately true.
10. Daily Dish. Andrew Sullivan's point of view is engaging if sometimes misguided.

Newly Subscribed

1. Counterterrorism Blog. A counterterrorism blog of note.
2. Bloglines blog search on "bitches brew". No link per se.
3. Free Money Finance. Despite the title, the blog is substantive so far.
4. Menlo Park, CA Weather from Weather Underground. Current local weather feed. For the first time in awhile, the weather was actually noticeable this month.
5. On a Pacific Aisle. Critic Joshua Kosman's new blog. I probably learn more about the classical music world from his SF Chronicle reviews than anything else I read.
   
6. Mystery Pollster. Technical blog on political polling.
7. The Skeptical Optimist. The only blog with real-time updates of the Debt-to-GDP ratio...
8. Uncyclopedia - Recent changes. "The content-free encyclopedia anyone can edit." Stupid and yet sometimes funny.
9. "west texas intermediate" - Google News. A personal project where I'm tracking the price of oil. It if hits $106 a barrel, time to panic.
   
10. 146 miles without a map. Some English bloke is recreating a historical walk.

beyond aworks :: World on Fire (2003). Sarah McLachlin

Via a great product development blog, Sarah McLachlin has a radical music video that threatens to cast every other video as trivial and wasteful if not worse.