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Alex V. Cook

I generally feel that way with those long Feldman pieces; they stretch and cycle forever in all those permutations tha you are forced to examine what's around you. I once listened to For Philip Guston in its entirety at work and found myself examining every corner of the room and item on my desk with mcroscopic focus. If I ever become a crime scene investigator, I'm putting that piece on my ipod.

In a way, he achieves the aims of Cage's "silence" - observing the world around you - better than Cage's music does.

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