-
referrer of the day
-
NSFW. Not particularly real on closer inspection of the, er, art.
-
In the middle of my Philip Glass obsession, I really wonder the genesis of his style. It's not just his working with R. Shankar in Paris, right? By the way, I'm not suggesting Glass' work is extraordinary. Or am I?
-
"He speaks of Ellington in the present tense, which makes sense because when you play a piece of music it is happening in the present tense. The composer is there because the music is there."
-
Maazel: 'Even a hardliner like Maderna, close to death, realised that the only opera he really wanted to conduct was Don Giovanni".'
-
"To hear the roaring end of A Tone Parallel to Harlem played by an orchestra -- all I can say is that I was there, and I heard it, and I'll never forget it."
-
"But my experience is that innocence is not only the opposite of guilt, it's the opposite of wisdom--of "experience," be it spoken of by Blake or by Hendrix."
-
"I confess that the only effect listening to a Glass composition has ever had on me is to deepen the conviction that I am indeed a Philistine."
-
Musical relationships, that is.
-
"The group's nocturnal offering was Edgard Varèse's Ionisation (1931). Ensemble director Steve Schick introduced it as "the greatest percussion piece ever written," and he might be right, especially after this precise, glittering reading"
-
Bitches Brew: 'Also features a lot of recorded evidence of the elusive creature known as the "jazz-rock bass clarinet."' Yes!!!
Comments