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aworks :: this post title unavailable due to ipod wash woes

Since we recovered my iPod from the wash cycle, I'm struggling to track what I've been listening to. The iPod works except for the display and sometimes when syncing. My response has been to load it with John Cage music and let 'er rip. But often I have no clue what I've actually heard. It's debatable if this is an issue with said composer.

My overall reaction to all this Cage is to seek out music even more unconventional than Cage. I'm open to suggestion but even after a bout of Xenakis, I can't find anything.

Histories and Theories of Intermedia, in a post on Tony Conrad, happens to speak on why it's tough to top Cage at his own game:

Conrad saw contemporary music as being at a crisis point. John Cage's radicalism, and Young's Fluxus verbal scores (listening to butterflies as a piece of music) indicated music being dismantled in an unsurpassably extreme manner


Note that next week, I plan to replace my 3.1GB of Cage on the crippled iPod with the music of Terry Riley. No conclusions yet although be forewarned it could result in a who owns the sixties post.

links for 2008-05-09

links for 2008-05-08

links for 2008-05-07

  • "What's This? This is a mashup of Last.fm and YouTube made by Tim Bormans. It’s best described as an online music television based on your taste." LCD Soundsystem and Bruce Brubaker so far for user eastmp.
  • "They have rolled out the entire spectrum of what radio might be on one single player...If ... Wilco is playing in the WXRT studio, the CBS digital radio network can alert you in the AOL stream and give you one click access to the Wilco live performance."

links for 2008-05-06

links for 2008-05-05

links for 2008-05-04

Cartridge Music (1960). John Cage /huh?/

I like lots of the music of John Cage and I understand the need to experience music versus being judgmental about it. But, Cartridge Music in particular strikes me as bizarre. I can appreciate the diverse sounds and even the playing of Heart's Magic Man in the background, but the short vocal is painful and the most unnatural part of the piece. Here's the YouTube clip:

From Richard Kostelanetz's Conversations with Cage:

The piece we're setting up now [Cartridge Music] uses electronics, but it also uses junk things that are part and parcel of everyday life. We have a complex situation with three performers, and objects with cartridges and contact microphones. We enter a situation that resembles people trying to get through the tunnel into New Jersey.

Here's more conventional Cage music I happen to like:

links for 2008-05-03

El Salón México (1932-36). Aaron Copland

Ever since we realized my iPod was in the middle of the wash machine cycle earlier this week, I've returned to listening to my legacy CDs. I continue to be impressed by how good the music of Aaron Copland sounds when transcribed for piano. Maybe it's the mixture of astringency and warmth.


out of stock eugenie russo cd at amazon. el salón méxico on wikipedia.

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